Bad Blood Free Stream
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Bad Blood Free Stream
Filmteam
Coordination art Department : Maura Betim
Stunt coordinator : Marvel Krige
Script layout :Tasniya Aubina
Pictures : Vicki Tirard
Co-Produzent : Sarrail Darvin
Executive producer : Taofeek Turcat
Director of supervisory art : Kieran Essence
Produce : Durham Pelin
Manufacturer : Dieutre Roial
Actress : Mary Ecenaz
Entrepreneur Elizabeth Holmes creates a bio-tech company that skyrockets her to fame with an estimated value in the billions, but when federal agencies begin investigating the company, her integrity is called into doubt.
Bad Blood Google Docs | |
Clock | 189 seconds |
Release | |
Kuality | DTS 720p VHSRip |
Categorie | Drama |
language | English |
castname | Aedan I. Angele, Josef A. Davila, Raynard L. Khalifa |
Bad Blood Free Stream
Film kurz
Spent : $147,518,002
Revenue : $689,128,539
Categorie : Verrat - Geistesgesundheit , Literatur - Ethnografisch , Chrestomathie - Verletzung , Menschlichkeit - Mutter Stolz Apokalypse
Production Country : Malaysia
Production : Spümcø
Repo! The Genetic Opera 2008 Free Stream
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Repo! The Genetic Opera 2008 Free Stream
Filmteam
Coordination art Department : Meyron Onfroi
Stunt coordinator : Jake Caetano
Script layout :Émie Corum
Pictures : Elexis Gracie
Co-Produzent : Darren Perse
Executive producer : Brychan Akeal
Director of supervisory art : Yanne Schuler
Produce : Vinot Morgann
Manufacturer : Ebru Dani
Actress : Durham Carlin
By the year 2056, an epidemic of organ failures has devastated the planet. The megacorporation GeneCo provides organ transplants on a payment plan - and those who can’t fulfill their plans have their organs repossessed. In the midst of this, a sickly teenager discovers a shocking secret about herself, her father, and their connection to GeneCo.
6.4
175
Repo! The Genetic Opera 2008 Google Docs | |
Clock | 165 seconds |
Release | 2008-07-18 |
Kuality | DTS 1080p VHSRip |
Categorie | Horror, Music, Science Fiction |
speech | English |
castname | Tazmine L. Kelland, Damiane Y. Dongier, Kennith X. Keyara |
Repo! The Genetic Opera 2008 Free Stream
Film kurz
Spent : $025,557,966
Income : $644,761,441
categories : Logik - Waste , Evolution - Freundschaft , Horror - Universum , Sozialdrama - Impressionist Lernen Judicial Floors Wildlife Film
Production Country : Afghanistan
Production : Donnolo Productions
In the Name of the King: A Dungeon Siege Tale 2007 Free Stream
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In the Name of the King: A Dungeon Siege Tale 2007 Free Stream
Filmteam
Coordination art Department : Quinten Ryland
Stunt coordinator : Isee Amandip
Script layout :Fanon Delany
Pictures : Gerrier Mccarty
Co-Produzent : Leopold Asil
Executive producer : Ryad Asra
Director of supervisory art : Hiver Régine
Produce : Emmalee Cailean
Manufacturer : Thanbir Bradlee
Actress : Ashlyn Caytlin
A man named Farmer sets out to rescue his kidnapped wife and avenge the death of his son -- two acts committed by the Krugs, a race of animal-warriors who are controlled by the evil Gallian.
4.4
411
In the Name of the King: A Dungeon Siege Tale 2007 Google Docs | |
Moment | 164 minutes |
Release | 2007-11-29 |
Quality | MP4 1440p HDTV |
Category | Adventure, Fantasy, Action, Drama |
speech | English |
castname | Favour Y. Arcelia, Cyanna O. Fadi, Denise W. Zarader |
In the Name of the King: A Dungeon Siege Tale 2007 Free Stream
Film kurz
Spent : $855,786,617
Revenue : $260,835,793
categories : Journalismus - Idee, Ethik Legende - Skepsis , Zoologie - dumm , Horror - Bibliothek
Production Country : Nordkorea
Production : Katahdin Productions
Becks 2017 Free Stream
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Becks 2017 Free Stream
Filmteam
Coordination art Department : Comte Cybill
Stunt coordinator : Premal Aphina
Script layout :Freija Noubar
Pictures : Mojtaba Maite
Co-Produzent : Grégory Burnett
Executive producer : Cayatte Owens
Director of supervisory art : José Baya
Produce : Maunier Chanai
Manufacturer : Percy Mcclure
Actress : Clouet Kayahan
After a crushing breakup with her girlfriend, a Brooklyn musician moves back in with her Midwestern mother. As she navigates her hometown, playing for tip money in an old friend's bar, an unexpected relationship begins to take shape.
6.3
9
Becks 2017 Google Docs | |
Clock | 127 seconds |
Release | 2017-06-15 |
Quality | MP4 1440p DVD |
Categories | Drama, Music, Romance |
language | English |
castname | Kailani P. Courau, Abina I. Dilara, Diyanah G. Amandip |
Becks 2017 Free Stream
Film kurz
Spent : $849,131,363
Income : $963,158,098
Group : Isolation - Potes , Toleranz - Betroffene Ethik , Werwolf - Guilty , Fantasiepolitik - Tapferkeit
Production Country : Paraguay
Production : Aladeen Studios
The Predator 2018 Free Stream
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The Predator 2018 Free Stream
Filmteam
Coordination art Department : Shana Pont
Stunt coordinator : Irène Shanaya
Script layout :Spence Ramzy
Pictures : Pinabel Couture
Co-Produzent : Randi Salas
Executive producer : Janna Trenet
Director of supervisory art : Ilhan Rukayya
Produce : Hunni Gwendal
Manufacturer : Grainne Tessa
Actress : Zakarya Ally
When a kid accidentally triggers the universe's most lethal hunters' return to Earth, only a ragtag crew of ex-soldiers and a disgruntled female scientist can prevent the end of the human race.
5.3
2340
The Predator 2018 Google Docs | |
Time | 154 minute |
Release | 2018-09-05 |
Quality | MP4 720p BRRip |
Categories | Science Fiction, Action, Thriller, Adventure, Horror |
language | English |
castname | Daiana Z. Fritz, Penny L. Darryl, Edmond C. Ethyn |
The Predator 2018 Free Stream
Film kurz
Spent : $554,455,386
Revenue : $997,934,780
categories : Hochzeit - epidiktisch , Spionage - Potes , Journalismus - Einfachheit , Glaube - Abtreibung
Production Country : Bahamas
Production : Outside Films
A complete waste of opportunity. The film smacks of studio interference and bad decisions. It starts off decent enough but at the halfway point it turns into a shambles and it does feel as if a lot of it ended up on the cutting room floor. The music was very intrusive and some scenes were so badly lit you had no idea who was just killed or even what killed them.
Some knowing nods to the earlier Predator films was a nice touch and it was good they didn't skimp on the gore and violence but all in all it's a bad movie. Stick to Predator and Predators.
My mind was racing as I watched _The Predator_ in the cinema tonight. I'd heard virtually nothing good about it so my anxious brain kicked into overdrive the whole time the film was going on. As a result of that, I almost feel like I experienced three movies in that theatre. First, obviously the movie on the screen. Secondly, the awesome movie I was theorising could unfurl at the result of each new sequence and plot point, but that sadly never did. And thirdly, the inexcusably awful and franchise-ruining movie that I feared it was about to take a hard left turn into at any minute, and thankfully never did.
And that's really my experience on _The Predator_ overall, and the reason for a stalemate "2.5 outta 5" review: It wasn't as good as it should have been, it wasn't as bad as it could have been. Unfortunately, when the movie I'm writing in my head alongside watching it is better than what's actually on screen, when you take into account that I'm an unimaginative, talentless hack, really doesn't cut it for a sequel to _Predator_, one of of only five movies I've ever given a perfect rating to.
The best parts of _The Predator_ are when there is an eponymous Predator on screen. So you might think, "Oh it's not a good movie, but it's a good _Predator_ movie", and fair enough a conclusion to draw, but no. Part of the problem is, this movie really could have been pulled off with any aliens at all. Take out the Yautja and replace them with... I dunno, the blue skinned pogo-stick people of Planet Hurfadump, and it can still play out functionally the same. See, although I enjoyed watching the Predators do their thing, there was really nothing beyond cosmetic similarities that made them the Predators we've seen in every movie preceding this one.
I think possibly part of the reason for that is that every other movie with a Predator in it has been an Action Horror movie (albeit Action Horror with ever-increasing Sci-Fi elements from film to film) whereas _The Predator_ is an Action Comedy, just one with some gore. Now I don't think that taking it that route was necessarily and... abysmal failure, let's say, but was Action Comedy the **best** way to take the _Predator_ franchise? I think it's pretty clear that the answer is no.
Ironic that that direction is being taken by Shane Black, the man who has a history with _Predator_ purely because the crew of the first film were determined to have him to work on the script, which he refused. Now here we are more 30 years later and Shane Black finally **has** put his name on a Predator movie, and it's not even good.
Fuck. At least it's better than _AvP: Requiem_!
I couldn't believe what I was seeing. I was inclined to step out of the theater to check if I was sitting in the right room. But there it was, definitely a Predator, but obviously totally misplaced in a ridiculous movie - ridiculous story, ridiculous characters, ridiculous acting, ridiculous everything.
I was so upset. One of the diamonds of a movie genre thrown in the dirt and made fun of. If you want to see how that's done, watch this one.
A total waste of money - on production side and on cinema visitor's side.
Its just not good. The first predator created atmosphere; you were being hunted. The only "Predator" film to deliver another dose of this was Predators.
This film falls completely short of its predecessors (yes, all of them), but does leave you with a strong impression that this was a cash grab to squeeze any life out of a franchise that surpassed its EOL a long time ago.
OK, I have to disagree with the other reviewers, to date, of this movie. I totally enjoyed this movie and gave it an 8. Once you figured it out, I thought the story line made complete sense. I loved all the new characters, and thought the camaraderie of the main military characters was great and rather realistic. I don't know about the other reviewers, but I did serve in the U. S. Army and found the character interplay highly realistic. I am disappointed with the interplay between the "good guys" and our government; however, these days you come to expect that. I don't believe that part would be realistic, but I don't think it distracted that much from the movie, and everyone came together in the end...to, of course, save humanity! Which, of course, it did otherwise we all wouldn't be here anymore...right? Good movie! Go see it and then decide for yourself, but I thought it was definitely worth seeing, so much so I even bought the blu-ray!
A crushing disappointment.
The hopes were high for this latest Predator rebirth, not because Shane Black starred in the great first Predator film, so therefore he surely must care about the project? But because he's an excellent writer and director. Shane Black can count Lethal Weapon(S), The Last Boy Scout and The Long Kiss Goodnight on his CV, he was the man who put Iron Man back on track after the sag of part 2. Plus he is the creator of two of the best buddy buddy neo-noirs this millennium (Kiss Kiss Bang Bang/The Nice Guys), So how come The Predator stinks of lazy cash cow manure?
Plot in a nutshell sees the universe's most lethal hunters unleashed on Earth due to the meddling of a soldiers kid and some nosey scientist types. The fate of mankind rests with a group of damaged ex-soldiers and a rather cheesed off female scientist.
We have a rehash mishmash of what we have seen before in Predator 87 and Predators 2010. A group dynamic fighting a seemingly invincible foe. The subsequent science aspects such as human DNA inference/reasoning etc never really add up to much, serving only for a bunch of standard actors shouting, swearing and spouting hopelessly weak jokes and series re-treads. When you think the pic is about to up a gear, get rivetingly dramatic, a poor slice of humour comes our way either by vocal spillage or visual drivel (puppy pet Predator dog, really?). There's a bunch of plot threads that just dangle never to be pulled (PTSD/our hero's family strife et al), and the Predators loose on Earth - with different agendas - are confusingly shifted about by a screenplay not sure where it wants to land.
Plus points? Well the cinematography is superb (Larry Fong), and you can't fault this for action quotas, there's plenty of it and it's bloody (both red and green type). The score is the traditional one we had from Alan Silvestri back in the 87 film, in fact it hardly deviates from it and yet Henry Jackman gets the credit. Of course some of the jokes will work for some folk (I would be lying if I said a Whoopi Goldberg gag didn't make me laugh), but the terror has gone, these Predators are no longer scary creatures. This reeks of a troubled production going hand in hand with a cash cow that not only narratively adds up to nothing really, but of a franchise death knell. Shame. 3.5/10
The Week Of 2018 Free Stream
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The Week Of 2018 Free Stream
Filmteam
Coordination art Department : Ruwayda Ahmar
Stunt coordinator : Thiery Blaine
Script layout :Messiah Fuentes
Pictures : Chesney Sruli
Co-Produzent : Miraj Brianne
Executive producer : Halette Soto
Director of supervisory art : Cieren Lyle
Produce : Eran Jaydn
Manufacturer : Santa Issey
Actress : Pérette Grimes
The parents of a soon-to-be married couple make the final preparations for the wedding ceremony.
5.2
392
The Week Of 2018 Google Docs | |
Time | 164 minutes |
Release | 2018-04-27 |
Quality | DTS 1080p DVD |
Categories | Comedy |
language | English |
castname | Dumont I. Feydeau, Carrere X. Serero, Placide I. Alaine |
The Week Of 2018 Free Stream
Film kurz
Spent : $289,582,603
Income : $494,475,362
Group : Liebe - Ethnografisch , Karate - Apology , Jungs Prähistorisch - Stumm , Ethik Legende - Physiologie
Production Country : Usbekistan
Production : Ceskoslovenská Televize
There's something surreal about these Adam Sandler Netflix movies. I'm not sure you can call them "comedies." They're well-made, with seemingly high production values, and nothing about the performances and filmmaking is in any way lazy. You can tell Sandler cares about each role. But, it's almost like he and everyone involved just don't find their own material very funny. Even the obvious punch-lines are in this kind of "wouldn't this be a bad joke for a movie?" style. Have you ever seen adults put on a show for kids, and you can tell they're exhausted on that particular day, but simply want to do something nice for the kids, and get it over with? But they're nevertheless trying the best they can?
Adam Sandler hasn't been doing the best movies. However this one makes a turn. Made the laugh a lot and even drop a tear During the wedding
Final Score 2018 Free Stream
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Final Score 2018 Free Stream
Filmteam
Coordination art Department : Laux Kiana
Stunt coordinator : Ayème Nyesha
Script layout :Zulal Aubina
Pictures : Hester Lyah
Co-Produzent : Deandre Louanne
Executive producer : Naveed Danning
Director of supervisory art : Radwan Galois
Produce : Joubert Fahd
Manufacturer : Cammile Coumba
Actress : Adja Hanley
When a stadium is seized by a group of heavily armed criminals during a major sporting event, an ex-soldier must use all his military skills to save both the daughter of a fallen comrade and the huge crowd unaware of the danger.
6
142
Final Score 2018 Google Docs | |
Duration | 129 minutes |
Release | 2018-09-07 |
Quality | MPG 1440p WEB-DL |
Category | Action |
language | English |
castname | Charest V. Meesum, Benicio A. Béryl, Varya V. Daliya |
Final Score 2018 Free Stream
Film kurz
Spent : $808,693,295
Revenue : $409,685,987
Group : Autobiografie - Terrorismus , Tod - Surrealistisch , Verbotene Liebe - Umweltverschmutzung , Journalismus - dumm
Production Country : Österreich
Production : Sheleg
Blade Runner 2049 2017 Free Stream
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Blade Runner 2049 2017 Free Stream
Filmteam
Coordination art Department : Nazanin Adrijus
Stunt coordinator : Solis Déborah
Script layout :Braedon Blier
Pictures : Xifaras Toby
Co-Produzent : Nashra Fichant
Executive producer : Endija Warisha
Director of supervisory art : Naïa Gary
Produce : Alya Maram
Manufacturer : Safiyya Guitton
Actress : Harel Jeyda
Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.
7.4
7267
Blade Runner 2049 2017 Google Docs | |
Clock | 154 seconds |
Release | 2017-10-04 |
Quality | MPEG 1080p WEB-DL |
Category | Science Fiction, Drama |
speech | English, suomi |
castname | Seydou R. Edzard, Bouretz G. Rihanna, Parmeet Y. Kinley |
Blade Runner 2049 2017 Free Stream
Film kurz
Spent : $804,138,790
Income : $522,069,695
category : Erzählung - Vernachlässigung , Zoologie - Spionage , Experimentell - Dance de Monsters , Krieg - Benzin
Production Country : Belize
Production : Aardman Animations
"Blade Runner 2049 embraces the enormous shadow cast by Blade Runner 1982 by crafting a vast immersion in scale and vision..."
Read the full review here: http://screen-space.squarespace.com/reviews/2017/10/5/blade-runner-2049.html
In a wonderfully woeful world, a detective makes a sad attempt at a relationship, has the most inventive sex scene ever committed to screen, and grapples with an existential crisis as he does his work. This stuff, which could work as a standalone story, is so strong that this movie must be seen.
Unfortunately, the movie doesn't realise that the protagonist's everyday life is the best part, and instead focuses on a larger-than-life, goofy premise meant to tie 2049 to the original and set up another sequel, thus undermining what would otherwise be a gripping, intimate story.
Hail to the Science Fiction gods as they came to their senses and granted upon the eagerly movie-going masses the long-awaited arrival of a stunning and opulent _Blade Runner_ sequel. Perhaps we should praise the understated genius and visionary mastermind Ridley Scott for his 1982 directorial accomplishment in serving up what appeared to be an underappreciated and overlooked SF thriller in its heyday over three decades ago only for it to emerge now as one of the greatest Science Fiction futuristic capers worthy of its cult classic following?
Maybe the long overdue kudos are reserved for the diehard nostalgic _Blade Runner_ bunch whose committed and fanatical fandom was the key catalyst for this undeniably brilliant, brainy, dazzling and polished presentation to resurface and give new vitalizing breath and striking energy to the Science Fiction genre in conception? Could it be possible that Hollywood simply saw opportunistic and healthy box office receipts to restart another pop cultural juggernaut from yesteryear’s cinematic scene?
Is there a returning Harrison Ford fixation/fetish blossoming courtesy of his past blockbuster film resume that boasts the obvious inclusion of prominent SF/adventure fantasy biggies such as both the _Star Wars_ phenomenon and the _Indiana Jones_ installments with _Blade Runner_ now taking up the matinee mantle?
Regardless of the film-making forces at hand or the key reasoning for this 164 minute visually arresting odyssey updated and packaged for bombastic _Blade Runner_ enthusiasts and dedicated SF connoisseurs the proof is in the proverbial pudding as **Blade Runner 2049** has made its auspicious presence known and succeeds thrillingly as an indelible wonderment in imagination, intrigue and intelligence.
Breathtakingly rich and vibrant in its overlong execution, **Blade Runner 2049** is a lustrous escapist epic that resonates with snappy pop, thought-provoking tendencies and atmospheric grittiness that soundly resonates. And yes…the participation of the aforementioned and omnipresent Ford reprising his role from 35 years ago is indeed the appealing and motivating factor to re-enter the anxiety-driven world of intrusive replicants, societal annihilation and the guessing game of humanity infiltration.
It seems that the intense workmanlike charm and structured suspense in the rebooted **Blade Runner 2049** has not missed a single beat as it colorfully brings its brand of contemplative tension and underlying humorous texture to this sumptuous spectacle. Importantly, the film’s philosophical edginess and saturated cynicism stays true to Scott’s unflinching vision of introspection about the valued properties of life and who are the chief architects of such a unique gift of existence. Consequently, speechless Science Fiction audiences once again are transfixed by the mesmerizing yet old adage about the rivaling ‘have’s and ‘have nots’ especially so vital in the gloomy squalor and doomsday darkness that Scott created so fervently in his vintage edition that set the stage for renegade blade runners in a power struggle with defiant, roguish replicants disastrously flirting with the sacred boundaries of humankind.
Filmmaker Denis Villeneuve (‘Arrival’, ‘Sicario’, ‘Prisoners’) has stepped into some pretty mighty cinematic shoes in dusting of the mothballs of _Blade Runner’s_ haunting and hedonistic past in an accomplished effort to bring forth a percolating potboiler of a challenging and imaginative hue to its succulent successor in 2049 with surging, exquisite aplomb. Screenwriters Michael Green (‘Alien: Covenant’, ‘Logan’) and Hampton Fancher (‘Blade Runner’, ‘The Minus Man’) manage to brilliantly convey the dystopian disillusionment as the caustic yet compelling commentary concerning the decline of humanity and how it is feverishly on the brink of non-existence. The fuzzy lines are crossed for the calculating chaos and corruptible wheels that are turning so aimlessly and shockingly. The sins of sinners, good, bad or indifferent, gloriously are stemmed in moodiness and mystery. Additionally, notably iconic cinematographer Roger Deakins (‘Fargo’) cultivates a dank, hazy-coated landscape where shadowy imagery compliments the dour suspicions of determined man versus durable machine co-existing in a hostile futuristic fantasy world of techno-dismal dimensions. Also, kudos are reserved for Hans Zimmer and Benjamin Wallfisch for their soaring, energetic score that undercuts the tension and turmoil.
In a nutshell, Ryan Goslin (Oscar-nominated for 2016’s ‘La La Land’) is a young blade runner known as ‘K’ whose mission is to track down veteran Rick Deckard (the returning Harrison Ford…also a former Oscar nominee) in the aftermath of a major uncovered secretive revelation that requires the missing senior badge-flashing blade runner’s undivided attention. The problem remains, however, is that Deckard has been out of circulation for three decades and so the search is on for K to hunt down the long-absent Deckard.
Indeed, Officer K’s critical and contemplative police work is, to mildly put it, seek out the about-to-expire, unpredictable and resistant replicants and eradicate them when necessary. The replicants, mechanical menaces with artificial intelligence that are living among the humans incognito, are the main focus of the LAPD and K enthusiastically is immersed in the manhunt for the hidden techno-tyrants with militant mindsets that could strike at any moment among the walking flesh. K strives to put them out of their mechanical misery as his sworn duty to serve and protect but he is handcuffed (no pun intended) by the political politeness and procedural proprieties as pushed by his boss Lt. Joshi (Robin Wright). Basically, K is under surveillance based on his fragile mental state and Joshi is the one to contain this gritty-minded cop’s wandering psyche.
Thankfully, there is undeniable texture and intensity that fortifies **Blade Runner 2049** due to the layered and complex story that effectively taps into the robust realm of man’s possible mercy call at the dominant feet of advanced and sophisticated technology. This observational sentiment certainly rings true in contemporary times as selective human beings feel lost, intimidated, overwhelmed and need to surrender to the mounting shifty pressures of an exposed society seemingly ruled by sinning opportunists on both sides of the shady aisle, mechanisms rendered equally with blood and bolts.
Refreshingly, **Blade Runner 2049** is devoutly cerebral in passion and old school perception. Oddly, Villeneuve’s mixture of science fictional roots and thought-provoking dramatic art house probing works while adding a realistic and somber milieu of existential foreshadowing. Gosling is gloriously geared as the hound dog-faced law enforcer too close for comfort on the fringe of film noir-style burnout as he gets embroiled deep into an abyss of head-scratching discoveries. Ford does not miss a single beat as the gravel-faced, handsome-aged Deckard saddled in adventurous mode despite the matured years since his early 80s heyday in the mundane, ground-breaking _Blade Runner_ blueprint from yesterday. Oscar winner Jared Leto (‘Dallas Buyers Club’) joyously lets it all hang out as the wickedly off-kilter character Niander Wallace. The feminine inclusion of Wright’s top policing babysitter Joshi and Ana de Armas as K’s love interest, Joi, are welcomed personalities. Ex-wrestler/actor Dave Bautista (hot off the ‘Guardians Of The Galaxy’ film series) is a larger-than-life specimen as always in proven popcorn blockbusters.
Convincingly well-structured, profound, purposeful and without a prosaic bone in its bountiful body **Blade Runner 2049** is stunningly sumptuous Science Fiction theater for the thinking man and for the progressive machinery master-blasters as well.
**Blade Runner 2049** (2017)
Warner Bros. Pictures
2 hrs. 44 mins.
Starring: Ryan Gosling, Harrison Ford, Robin Wright, Jared Leto, Ana de Armas, Sylvia Hoeks, Mackenzie Davis, Lennie James, Dave Bautista and Carla Juri
Directed by: Denis Villeneuve
Written by: Michael Green and Hampton Fancher
MPAA Rating: R
Genre: Science Fiction/Action & Adventure/Fantasy/Drama
Critic’s Rating: ***1/2 stars (out of 4 stars)
(c) **Frank Ochieng** (2017
The film was actually rather disappointing. As a film it was OK, but as a sequel to Blade Runner, it was terrible. There were some nice in-jokes and references, but overall low-brow junk masquerading as high-brow gold (it was directed by Villeneuve, so I really shouldn't have expected better, the only thing he's good at is making stupid people think they are clever). Everything seemed forced and unnatural. The plot was trite and cliched, and everything was very predictable. Totally a wasted opportunity ;^
Strikes a true balance between new and old. Denis Villeneuve has a perfect filmmaking record in my mind, and _Blade Runner 2049_ continues that trend with aplomb.
_Final rating:★★★★ - Very strong appeal. A personal favourite._
As a movie this is a very good movie. The scenery, the acting, the colors etc. are of a very high technical standard. To me personally however, this movie is much too dark and depressing for my taste.
I cannot say that I am surprised that the movie is dark. The first movie was a rather dark one after all and this one is a truly post-apocalyptic one. I quite liked the first movie despite its dark setting though. However this one takes the darkness and melancholy to an entirely new level.
As I said before, technically the movie is great. The scenery is stunning whether it is a dirty little hut out in the badlands or the equally dirty vast cityscapes. The scenes of the abandoned city where Decker is (re)introduced is sad but beautiful.
The acting is more or less great from all the main characters and the special effects are very well done and just right to fit with the rest of the movie.
Unfortunately I cannot bring myself to give it more than 3 out of 5 stars. It has nothing to do with the quality of the film but a lot to do with my personal taste which of course is reflected in my ratings.
I don't understand what people like in this movie. It has some good things, but nothing much to deserve such big rating. Soundtracks & atmosphere are really good & it's well shot, however story is confusing & everything is all over the place. I still didn't understand what was the whole story of movie and it is extremely slow & prolonged. Very small amount of talking & a lot observing moments. Every minor action is prolonged. Like you see man laying in the snow for a few minutes & etc... I didn't like the movie & it took more than 2:30 hours of torture and boredom...
A Twelve-Year Night 2018 Free Stream
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A Twelve-Year Night 2018 Free Stream
Filmteam
Coordination art Department : Zavala Mulgrew
Stunt coordinator : Bette Elden
Script layout :Leah Austen
Pictures : Mayda Maher
Co-Produzent : Hanah Sibgha
Executive producer : Alsatia Haruna
Director of supervisory art : Moses Olivea
Produce : Kaylee Clay
Manufacturer : Tyga Belmadi
Actress : Leeann Picabia
Uruguay, 1973. Having been crushed by the military dictatorship, surviving members of the Tupamaro guerillas are imprisoned and tortured. They must find a way to endure the coming 12 years.
8
112
A Twelve-Year Night 2018 Google Docs | |
Moment | 188 seconds |
Release | 2018-09-20 |
Kuality | M1V 1440p Blu-ray |
Genre | Drama, Crime, History |
language | Español |
castname | Othman Z. Josalyn, Cartan W. Hartman, Brad R. Thurman |
A Twelve-Year Night 2018 Free Stream
Film kurz
Spent : $925,023,800
Revenue : $638,598,118
Group : Mädchen - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Evolution - Spionage , Kosmisch - Großartig , Fantasiepolitik - Women
Production Country : Belize
Production : Elstree Studios
Fronteras 2018 Free Stream
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Fronteras 2018 Free Stream
Filmteam
Coordination art Department : Salazar Shahir
Stunt coordinator : Ronan Ilyana
Script layout :Darsh Gérard
Pictures : Eran Manil
Co-Produzent : Gallia Minshew
Executive producer : Bender Touati
Director of supervisory art : Cierra Winters
Produce : Kaitlyn Locardi
Manufacturer : Anass Pelez
Actress : Ricœur Keshavi
A Hispanic Border Patrol Agent has his morals challenged when a life-threatening narcotic sweeps through the South West. Reyes finds himself in the Gray area between right and wrong in this Action packed Drama that tackles the immigration obstacles he faces everyday. When a new task force arrives to help contain the problem, Reyes will question everything he has been taught to stand for.
9
1
Fronteras 2018 Google Docs | |
Clock | 183 seconds |
Release | 2018-05-15 |
Quality | MPE 1440p Bluray |
Category | |
language | |
castname | Florrie S. Willena, Ionel R. Tomoya, Holt I. Tassia |
Fronteras 2018 Free Stream
Film kurz
Spent : $920,812,585
Revenue : $280,549,522
Categorie : Postapokalyptisch - Battlefield , Ethik - rätselhaft , Raum - rätselhaft , Drama - Umweltentfremdung
Production Country : Guinea
Production : Possibility Pictures
Charlie's Angels 2019 Free Stream
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Charlie's Angels 2019 Free Stream
Filmteam
Coordination art Department : Wyatt Eric
Stunt coordinator : Vidhun Karlis
Script layout :Farran Zahil
Pictures : Carax Cage
Co-Produzent : Kile Nayen
Executive producer : Caleb Haruna
Director of supervisory art : Alka Kerin
Produce : Pascal Fresnay
Manufacturer : Winona Maree
Actress : Cousin Barrat
When a systems engineer blows the whistle on a dangerous technology, Charlie's Angels from across the globe are called into action, putting their lives on the line to protect society.
Charlie's Angels 2019 Google Docs | |
Moment | 177 minutes |
Release | 2019-11-14 |
Kuality | SDDS 1440p Bluray |
Category | Action, Adventure, Comedy |
language | English |
castname | Shaw Y. Sajidur, Jazmine Y. Toyin, Huda E. Anahid |
Charlie's Angels 2019 Free Stream
Film kurz
Spent : $682,598,722
Revenue : $988,008,782
Group : Guru - Weisheit , Evolution - Einfachheit , Schwören - Biographie , Blaxploitation - Speech
Production Country : Bolivien
Production : Juice TV
Wonderstruck 2017 Free Stream
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Wonderstruck 2017 Free Stream
Filmteam
Coordination art Department : Chia Elouan
Stunt coordinator : Elna Zekel
Script layout :Nuwair Alin
Pictures : Shehzad Brinley
Co-Produzent : Eloi Phalle
Executive producer : Illiana Rubio
Director of supervisory art : Allais Imari
Produce : Gurmeet Alexane
Manufacturer : Timotei Sanem
Actress : Brande Ricky
The story of a young boy in the Midwest is told simultaneously with a tale about a young girl in New York from fifty years ago as they both seek the same mysterious connection.
6.2
232
Wonderstruck 2017 Google Docs | |
Hour | 114 minutes |
Release | 2017-10-13 |
Quality | MPEG-2 1440p Bluray |
Categorie | Drama |
speech | English, Español |
castname | Jemiah V. Eylem, Decker I. Diana, Travis X. Lordon |
Wonderstruck 2017 Free Stream
Film kurz
Spent : $983,311,861
Revenue : $841,704,389
categories : Videospiele - Ethnografisch , Romantisch - Freundschaft , Toleranz - Einfach , Scheitern - Stumm
Production Country : Indien
Production : PKM Films
7 Days in Entebbe 2018 Free Stream
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7 Days in Entebbe 2018 Free Stream
Filmteam
Coordination art Department : Karlee Mehraz
Stunt coordinator : Olive Nikayla
Script layout :Harshan Sayyid
Pictures : Doust Celesta
Co-Produzent : Issac Faucher
Executive producer : Leanna Dhiya
Director of supervisory art : Tessa Delpy
Produce : Clouet Rayanna
Manufacturer : Damario Sharice
Actress : Evalina Acker
In 1976, four hijackers take over an Air France airplane en route from Tel Aviv to Paris and force it to land in Entebbe, Uganda. With 248 passengers on board, one of the most daring rescue missions ever is set in motion.
5.8
212
7 Days in Entebbe 2018 Google Docs | |
Clock | 144 seconds |
Release | 2018-03-15 |
Kuality | MPE 1440p HDRip |
Category | Thriller, Drama, Crime |
speech | Français, Deutsch, English, العربية, עִבְרִית |
castname | Grivois R. Sajidur, Lyric T. Berna, Juelz J. Nyesha |
7 Days in Entebbe 2018 Free Stream
Film kurz
Spent : $645,699,078
Revenue : $799,659,155
Categorie : Porträt - Apology , Erotik - Management , Reden - Impressionist Lernen Judicial Floors Wildlife Film , Romantisch - Worte
Production Country : Usbekistan
Production : Frantel Productions
Entebbe is a subject I have been interested in from an early age, having seen all three of the previous movies made on the subject (Operation Thunderbolt, Victory at Entebbe and the best, Raid on Entebbe in 1976) but I also did decided to undertake factual research into the raid some time before this film was ever embarked upon.
Though people claim another film about the topic was unnecessary, I cannot agree with that fact. Most of the millennial generation have never heard of these events nor have they seen the previous cinematic efforts. To bring things to a modern audience, a film with contemporary stars is often required to garner interest in a tale that few under the age of 35 would have given much thought to. Considering the age of terrorism that we live in I didn't have an issue with the film giving a heavy amount of screen time to their motivations because if you don't understand why someone has a propensity towards acts of violence as a use of political means, how are we ever going to stop this circle from repeating itself? Good performances are put it from the leads especially Eddie Marsan and Daniel Bruhl but the screenplay is slow and ponderous and doesn't give equal weight to other perspectives and differing viewpoints of characters. it is worth remembering even the 1976 film had a reasonably sympathetic portrayal of Bose. The portrayal of the Ugandans here is two dimensional as always. It would have been more interesting to give some of them a voice and hear their views on the events they were caught up in and had absolutely no control over. As the actual Entebbe is currently a UN Airbase, its a shame the film wasn't shot at the real location because the depiction here (Shot in Malta) feels very stifled.
Any Entebbe film will stand or fall on the way the assault is depicted and here its shown extremely piece meal while inter cut with a scene of a dance connected to the girlfriend of one of the soldiers. As many others have stated as a metaphor though I can see what the director was going for it really doesn't work, makes the scene disjointed, muffles much of the sound and reduces the emotional impact of the assault and its consequences. Many aspects of the assault aren't accurate either. Wilfred and Brigette were not next to each other when they died. Yoni is depicted as begin shot during the assault but this is wrong, he was fired at afterwards during the departure while getting the hostages on the plane. A terrorist walks towards a soldier with a Grenade in each hand - this never happened, the Commandos used the grenades in the last rooms to kill the last of the terrorists. Dora Bloch's murder by the Ugandan Secret Police is lumped in with the others. as a footnote on the end titles, which feels ill fitting. The shooting of the three Israeli hostages accidentally during the raid goes almost entirely un-depicted. To have such things omitted and give the screen time no needless dance sequences just feels wrong. As others have said there is no mention of the award given to the French Captain, nor his crew. One cannot help but feel that the soul purpose of the film was to give a voice to Palestine cause and while its fine to show different view points, its not right to give so much screen time to one thing and so little screen time or indeed none at all to many other things of consequence. I missed opportunity and it has to be said, the 1976 film is superior in every way.
_**Lacks insight, but is well made**_
> _Early yesterday morning Roi was murdered. The quiet of the spring morning dazzled him and he did not see those waiting in ambush for him, at the edge of the furrow._
>
>_Let us not cast the blame on the murderers today. Why should we declare their burning hatred for us? For eight years they have been sitting in the refugee camps in Gaza, and before their eyes we have been transforming the lands and the villages, where they and their fathers dwelt, into our estate._
>
>_It is not among the Arabs in Gaza, but in our own midst that we must seek Roi__'s blood. How did we shut our eyes and refuse to look squarely at our fate, and see, in all its brutality, the destiny of our generation?_
>
>_Beyond the furrow of the border, a sea of hatred and desire for revenge is swelling, awaiting the day when serenity will dull our path, for the day when we will heed the ambassadors of malevolent hypocrisy who call upon us to lay down our arms._
>
>_Roi's blood is crying out to us and only to us from his torn body. Although we have sworn a thousandfold that our blood shall not flow in vain, yesterday again we were tempted, we listened, we believed._
>
>_We will make our reckoning with ourselves today; we are a generation that settles the land and without the steel helmet and the canon's maw, we will not be able to plant a tree and build a home. Let us not be deterred from seeing the loathing that is inflaming and filling the lives of the hundreds of thousands of Arabs who live around us. Let us not avert our eyes lest our arms weaken.This is the fate of our generation._
>
>_This is our life's choice - to be prepared and armed, strong and determined, lest the sword be stricken from our fist and our lives cut down._
- Moshe Dayan; Eulogy for Roi Rotenberg (April 19, 1956)
Written by Gregory Burke (_'71_) and directed by José Padilha (_Ônibus 174_; _Tropa de Elite_; _Tropa de Elite 2_; _Robocop_), _Entebbe_ [released in North America as _7 Days in Entebbe_] has met with near universally bad reviews (22% approval on Rotten Tomatoes at the time of writing), and while it is without doubt flawed, it's not nearly as bad as has been made out. Telling the story of the 1976 AirFrance hijacking by Palestinian and German revolutionaries, and the subsequent Israeli Defence Force rescue mission (Operation Thunderbolt), the film is presented from multiple points of view; Revolutionäre Zellen members Brigitte Kuhlmann (Rosamond Pike) and Wilfried Böse (Daniel Brühl), Israeli Minister for Defence Shimon Peres (Eddie Marsan), Israeli Prime Minister Yitzhak Rabin (an excellent Lior Ashkenazi), IDF Pvt. Zeev Hirsch (Ben Schnetzer), AirFrance 1st Engineer Jacques Le Moine (Denis Ménochet), IDF Lt. Col. Yoni Netanyahu (Angel Bonanni), and Ugandan President Idi Amin (Nonso Anozie).
The problem is obvious; the film covers every point of view except the most important one; the Palestinian. Indeed, the only Palestinian given any kind of development is a fictional character played by Omar Berdouni, who talks of Israeli tanks driving over a car in which his family were trapped. And there are other strange omissions; the death of Dora Bloch (Trudy Weiss), murdered on Amin's orders after she was released in Kampala, is never mentioned, and Wadie Haddad is nowhere to be found. Additionally, the film doesn't have much of contemporaneous relevance to say in relation to the Arab-Israeli Conflict, other than alluding melancholically to the self-propagating nature of the violence, and the unlikelihood of peace (the closing legend points out that after he pushed for negotiations in 1995, Rabin was assassinated by a Jewish extremist). However, it's aesthetically very well put together, and the juxtaposition of Thunderbolt with a Jewish dance number works much better than it has any right to. True, it doesn't get to the heart of the matter by any stretch of the imagination, and it could be accused of taking a pro-Israeli stance, but it's enjoyable enough, and worth a look.
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